Wine and Water – Forthcoming from Bahati Books

Here is a brilliant review for a new collection of African Romance short stories by Hannah Onoguwe! Officially coming out on the 31st of July!

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In the summer season, when the air is thick with heat, and all you want to do is stretch out on a beach, with a fruity cocktail, and a good book, Hannah Onogwe’s short story collection Wine and Water, provides exactly the kind of romantic escape we all need from our every day lives.

Each of the twelve stories in the collection is crafted with a brilliant attention to detail, bringing forward characters, so fully fleshed out and dimensional, you can almost feel them in the room with you. The dialogue is beautifully simple, and easily believable, structured in a way that rings true to many real-life conversations, and all the more powerful for that. Each story presents a self-contained world, painted richly and in broad strokes, fully immersive, and sentimental, bringing about a warmth and love of the backdrop that almost makes it a presence of its own…

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‘Dreamers Awake’ at the White Cube, Some Cultural References

By Rali Chorbadzhiyska Yesterday's day off took me once again to my favorite London art gallery - White Cube @ Bermondsey! 'Dreamers Awake' , their current exhibition, is 'a group show  which explores the enduring influence of Surrealism through the work of more than fifty women artists'. Here's a few of the artworks on display, accompanied by … Continue reading ‘Dreamers Awake’ at the White Cube, Some Cultural References

‘Samsa in Love’ or How Murakami Reinvents Humanity

By Rali Chorbadzhiyska What is weirder than waking up in a bug’s body and gradually turning into a believable insect? Actually waking up as Gregor Samsa and gradually making your way to become a complete human being! Haruki Murakami takes care of the reader’s curiosity about what happens to Kafka’s ‘Metamorphosis’ protagonist and what becomes … Continue reading ‘Samsa in Love’ or How Murakami Reinvents Humanity

Where there’s a Wil, there’s a way.

‘Tired, fabulous and wrapped in fur.’ Ifan was once a New Yorker for a week and here’s an adventurous post about his experiences! Make sure to check out his blog and I can’t wait to read what he’s been up to this summer! 😉

IFAN LLEWELYN

New York, New York: so good they named it twice. Or perhaps they were merely mentally drained and stuttering, exhausted by its overwhelming excess, as I was.

Being baggage-weight-conscious I arrived in JFK the image of a struggling Hollywood starlet: Tired, fabulous and wrapped in fur. Having almost missed the AirTrain into the city due to selfie-ing and insta-boomeranging, it started dawning on me that a huge fur coat and a big black roll-neck was not the best pairing for a day of frantic cross-continent commuting, being drenched in perspiration before we made our way to the subway. Big fabulous fur was also attracted a much unwanted attention, with a toothless subway dweller feeling it necessary to yell-ask me “YO MAN! THAT SOME FOX FUR!?”. Having finally survived the treacherous subway journey, we finally made our way to our Williamsburg Loft. With the coat finally hanging in my wardrobe for the week…

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The Collaboration of Times: William Wordsworth ft. J. Cole

By Rali Chorbadzhiyska *This is an excerpt from a longer essay on 'Exploring the Formation and Development of Selfhood in the 18th as well as the 21st century' that works on the premise of childhood being divine and longed for by artists (due to its importance to the self). William Wordsworth’s portrait painted by Benjamin … Continue reading The Collaboration of Times: William Wordsworth ft. J. Cole

The Masterful Layering of Voices in Borges’ ‘The Shape of the Sword’

By Rali Chorbadzhiyska The Role of an Individual Voice in Shaping Histories and the Reader’s Perception of them as explored in Jorge Luis Borges’ Short Story ‘The Shape of the Sword’ Jorge Luis Borges’ craft to fit a novel worth of meaning into a short story does not fail to excel in ‘The Shape of … Continue reading The Masterful Layering of Voices in Borges’ ‘The Shape of the Sword’